#Hounds of love sex scene movie

It isn’t exactly clear what makes Vicki special compared to the girls that Evelyn and John have abused in the past, which is a slight issue, but the tension between the couple still feels believable because there are outside factors putting pressure on their relationship.

It’s clear throughout that Evelyn is trying to appease John and facilitate his needs so she never feels like she’s fully on-board with what’s happening, and the general animosity between the pair is only enhanced by Vicki’s presence in the house. Her role in the film is essentially to give Vicki an opportunity to escape, because although she’s complicit in both the kidnapping and the torture she doesn’t do it because she wants to. Evelyn is John’s partner and she does the bulk of the work in luring Vicki into a false sense of security, persuading her to enter both the car and the house in which she’s eventually imprisoned. However, it’s Emma Booth who really steals the show by playing the surprisingly well-developed Evelyn. He’s genuinely detestable and as frightening as he needs to be even though he’s diminutive in stature. Stephen Curry is also great in his role despite the fact that he’s playing the most one-dimensional of the three main characters. Ashleigh Cummings is brilliant as Vicki, giving a truly believable performance by conveying the desperation that the character would be feeling. Of course none of the tension that this film elicits would be possible if it wasn’t for the superb acting of the three leads. It’s one of the scariest scenes I’ve seen this year and captures exactly what this sort of situation would feel like it doesn’t happen quickly and Vicki can’t escape – she’s trapped, bound, and at the mercy of a couple that begin having sex in front of her straight after tying her to a bed. She screams and struggles and cries, but ultimately she’s tied to a bed by her wrists and no one even knows that she’s there. She’s helpless and it really is horrific to watch, much more so than any cliché horror monster could ever be. When Vicki realises what’s about to happen it’s truly devastating – she isn’t knocked out or too groggy to understand her fate, she’s fully aware of what’s going on and has no way of combating it. The kidnapping sequence is riveting from start to finish because although we know that the situation is going to go wrong fast the moment itself is still surprising. They feel like actual people, which might sound idiotic, but this isn’t always the case with antagonists in horror movies/psychological thrillers. Vicki is suspicious from the moment she gets in her captor’s car and although the pair don’t come across as completely innocent they also don’t immediately seem evil. In a worse film Vicki would come across as overly trusting or naïve and Evelyn (Emma Booth) and John (Stephen Curry) would come across as one-dimensional monsters, but that’s not the case in “Hounds of Love”. The best example of this is the scene in which Vicki is actually kidnapped.

#Hounds of love sex scene movie

Nothing that happens in this movie feels contrived or cheap which means that immersion is never broken and you’re able to fully appreciate the gravity of the situation.

There are a number of sequences in this film which Young gets the absolute most out of by allowing them to develop naturally. There’s no need to be excessive in what you show but there’s also no need to shy away from the subject matter after all, real people who are trapped in these situations don’t get to look away. I appreciate this because unfortunately there are people in real life who are kidnapped, beaten, and then raped on a daily basis for unfathomable periods of time – in my opinion, if you’re going to make a movie which portrays this then you should do so with honesty. It feels as though Ben Young’s goal was to convey the futility of the situation and try to give the audience a glimpse of how such an ordeal would feel for the person experiencing it, rather than to make people squirm in their seats. At no point does it seem like the purpose of the movie is to shock the audience, despite the fact that the material lends itself to this approach. My favourite thing about “Hounds of Love” is that it isn’t a manipulative film.